En–Knap & Ermira Goro, Hannes Langolf

Telos 360

16 min

#vr360

2026

Moving Balkans

Telos 360 is a VR adaptation of the eponymous performance, conceived and directed by Ermira Goro. It draws inspiration from the ancient Greek concept meaning “end” or “fulfilment”. Each choreographer contributed their distinctive artistic language and developed an individual solo, which together form a modular performance composed of interconnected choreographic units. The virtual performance takes us into the choreographic world of Hannes Langolf, one of the choreographers, inviting audiences on a multilayered dance journey – an encounter with meaning, transition and the merging of individual expressions into a shared artistic whole.

TELOS Fabrika 16 May2026 Moving Balkans Showcase Jovana Semiz 28 of 40
TELOS Fabrika 16 May2026 Moving Balkans Showcase Jovana Semiz 29 of 40
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TELOS Fabrika 16 May2026 Moving Balkans Showcase Jovana Semiz 38 of 40
TELOS Fabrika 16 May2026 Moving Balkans Showcase Jovana Semiz 40 of 40
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bio

Ermira Goro (Greece/Albania) is an artist developing interdisciplinary movement practices in which the body operates as a site of negotiation, composition and transformation. Her artistic path began in Albania and Greece and later continued in New York, where encounters with international dance scenes shaped her early choreographic work. Moving between creation, performance and pedagogy, Goro has collaborated with artists and institutions across contexts, including an extended engagement with DV8 Physical Theatre. Alongside creating and performing, Ermira has been invited by international organisations to create choreographic works. Over the years, her work has been supported and presented at numerous festivals and venues in Greece and around the world, earning critical acclaim for her unique approach. Her work Telos was selected for the Moving Balkans Contemporary Dance Showcase Top 10 selection.

Hannes Langolf is an independent artist, choreographer, director and educator working across stage and screen. His work includes numerous original productions and collaborations with artists and companies such as DV8 Physical Theatre, William Forsythe, Akram Khan, Wayne McGregor, Angelin Preljocaj, Punchdrunk and Fabulous Beast. He began his long-standing collaboration with DV8 in 2007, performing in several acclaimed productions before becoming the company’s Creative Associate in 2014. He was nominated for an Olivier Award for Best Choreography for Dear England (2024). In 2022, he founded Moonwalking Bear Productions, a home for his creative work and a platform supporting innovation, collaboration and emerging talent.

credits

VR360 (Telos 360)

Concept, Idea, Performance Ermira Goro

VR Choreography Hannes Langolf

Music Aliki Leftherioti

Light design Vangelis Mountrichas

Costumes and set design Venia Polychronaki

360 recording Igor Crnković

Sound recording and sound design (001) Martin Vovk, Samo Jurca

Editing and graphic design Omar Ismail

VR Production Zavod En–Knap

Partnership Studentski kulturni centar Novi Sad (SKCNS)

 

Performance (Telos)

Choreographers Ermira Goro, Maria Hassabi, Hannes Langolf, Ioanna Paraskevopoulou

Music Aliki Leftherioti

Music composition for Maria Hassabi’s choreography Jeph Vanger

Choreography assistant and rehearsal director Martha Pasakopoulou

Assistant to the composer Socrates Antypas

Light assistant Semina Papalexandropoulou

Costumes collaboration Corset Incident

Set design collaboration Paresia Pasipoularidou

Special thanks "Ta rouxa tou vasilia”

Executive production Delta Pi

Production Removement

Support Athens & Epidaurus Festival, Jeff Garner, NEON Organization for Culture and Development

Moving Balkans Contemporary Dance Platform is a new dynamic collaboration of dance professionals from across the Balkans. Through a regional partnership network, showcases, artist mobility initiatives, workshops, co-creations, and capacity-building activities, we empower dance professionals and raise awareness of the vibrant dance scene in the Balkans. 

Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.

The programme of En–Knap and the Španski Borci Cultural Centre (managed by En–Knap Productions) is financially supported by the City of Ljubljana – Department of Culture and the Ministry of Culture of the Republic of Slovenia.