En–Knap & Iztok Kovač, En–Knap Group

Superfluous

60 min

#en–knap group's repertoire

2020

The system produces. It produces numbers, profits, humans, masses. It produces more, it produces ever more, it produces superfluous. No matter where in the system one finds oneself, where in the system one is stuck, or sticks out, the force, the compulsion remains: consume. One is superfluous, one consumes. One does not consume, one is branded.

Intertwining choreography of movement, words and music, Superfluous examines personal and social positions, facets in which the “superfluous” are a symptom, an effect of the system, its antagonisms, struggles, from the economy of gratification and the jobless to the democracy of choice and the homeless. Who is superfluous and who is useful, and for whom? Do we exist if we do not produce or consume? Who do we give up on last when we have given up on humanity? Based on The Superfluous Human by Ilija Trojanow, an essay on late capitalism, a system that systematically renounced humanity in favour of profit and abundance, destruction and collapse, the performance was created during the pandemic that laid bare the system of “superfluousness”. Stage sequences developed as a follow-up to video tasks, reflections on the essay during isolation, combined with a spontaneous, open dramaturgy in which original music and lighting inspire action to uniquely complement, complete the structure.

More is more. For a handful. Less is less. For all others.

context

In spring 2020 the En–Knap Group dancers recorded their research, ideas and challenges to each other in isolation as a series of videos, which they exchanged daily and at the same time posted publicly online. In June 2020, after two months of isolation, this abundance of individual material was transferred back to the studio and collectively developed into individual sequences of the show “Superfluous”. The elements of the performance include a series of pre-prepared as well as unpredictable sequences, the unique structure of which is determined by the performers over and over again in each performance. This is the source of various subtitles, which further give meaning to the basic theme of the show. The performance is always complemented and directed by a guest musician, who is performing his original music (Damir Avdić, Tomaž Grom or Samo Kutin) and a light designer (Jaka Šimenc), which represents an additional unpredictable challenge and incentive for the dancers of the En–Knap Group.

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Most people are stuck in the quicksand between success and superfluousness. They struggle to remain useful, to become essential – to avoid the looming descent into social irrelevance and material deprivation.

Ilija Trojanow

press

On the dance floor, therefore, the power of improvisation is intensively and continuously conceived, sophisticated sensory perceptions that flow, follow and upgrade are generated. And not even in the sense of a jam session, it’s more than that – we see something to be conquered and built within ourselves, within the flexibility of the body and the sensibility which is in harmony with our inner senses, both within the dance group and with the musical component. The performance follows as an in-depth musical-dance narrative, almost like a novel that depicts the situation and narrates. “Superfluous” is a readable choreographic creation that reflects on our current situation and on our community while exposing the duets of struggles and consonances, solo exclamations, as well as the arrogant display of superiority when illusion enters the space.

Daliborka Podboj, Parada Plesa

bio

Iztok Kovač is a choreographer and founder of En–Knap. Following the international success of his solo How I Caught a Falcon (1991), he became one of the key figures in the development of Slovenian contemporary dance. He founded En–Knap Group, Slovenia's first permanent contemporary dance ensemble, and serves as artistic director of both En–Knap and the Španski borci Cultural Centre. His works have toured internationally for more than three decades. Additionally, his artistic practice includes six dance films, international pedagogical work, guest choreography and the direction of major national events in Slovenia. During the Covid period, he initiated Stage360, developing dance works in virtual reality.

credits

Concept Iztok Kovač, En–Knap Group

Performed and created by Mattia Cason, Tamás Tuza, Carolina Alessandra Valentini, Tina Habun, Davide Lafabiana, Nuria Capella Florensa 

Original cast Mattia Cason, Luke Thomas Dunne, Katja Kolarič, Rada Kovačević, Tamás Tuza, Carolina Alessandra Valentini 

Live music Damir Avdić, Tomaž Grom, Samo Kutin 

Light design Jaka Šimenc 

Set design Iztok Kovač, Jaka Šimenc 

Costumes Katarina Škaper (Atelje d.o.o.) 

Props En–Knap Group 

Based on the book Ilija Trojanow, »Superfluous Man« 

Photography Omar Ismail 

Video Andrej Lamut 

Special thanks to Andreja Rauch Podrzavnik

 

Production En–Knap Productions

 

En–Knap Productions

Founder and artistic director Iztok Kovač

Managing director Marjeta Lavrič 

Head of finance Julija Travančić 

En–Knap Group rehearsal director Nohemi Barriuso, Luke Thomas Dunne, Ana Štefanec Knez 

Executive producer Karmen Keržar

Head of public relations and editor Nina Smerkol

Project and marketing coordinator Goran Pakozdi 

Programme coordinator and organiser Katja Gabrijelčič 

Expert associate for finances and business management Zala Česnik 

Designer Neja Engelsberger 

Technical coordinator Jaka Šimenc 

Technical team Leon Curk, Omar Ismail, Gal Škrjanec Skaberne, Špela Škulj

The programme of En–Knap Productions, administrator of Španski Borci, is financially supported by: City of Ljubljana – Department of Culture, which also supports Španski Borci activities, and Ministry of Culture of the Republic of Slovenia