Iztok Kovač

How I Caught a Falcon

35 min

#earlier en–knap works

1991

How I Caught a Falcon is a landmark work in the history of Slovenian contemporary dance. The solo performance, in which Iztok Kovač created a deeply poetic choreography, charged with beauty and a sublime, and a magic relationship between the body, movement, music, lighting and space, has become an emblem of the new time and new production. Created on the eve of the war in the former Yugoslavia, the work introduced a distinctive poetic language at a moment of profound social and political change, and unexpectedly drew the attention of the European dance scene. played an important role in bringing the emerging Slovenian scene into a wider European context. Its success marked a turning point in Kovač’s career and in the development of independent dance production in Slovenia. Following the performance, Kovač founded En–Knap, laying the foundations for an organisation that would become an important force in Slovenian and European contemporary dance.

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I am discovering beauty and the strength of movements that have been with me all along through life but I was not aware of it. Through exploration and change I am getting to know what I believe in and what not. This conviction leads the rhythm and direction of movement. Then the dancing can begin. 

Iztok Kovač

One of the most startling foreign voices. The solo How I Caught a Falcon by Iztok Kovač was like nothing you’d seen before. New dance is one of the last things anyone connects with Slovenia right now, and Kovač commands an instant regard by simply coming from where he does. His country’s current traumas also give him a peculiar right to this theme – a dream of liberation and transcendence.

Under a cascade of white light, Iztok Kovač begins and ends his solo: an image of himself as a falcon. He spins his arms with such a speed that they look like blurred bows. A vision of a man, who transcends his limitations and – during most of the performance – strings dance strategies, with which he creates and restrains such escapes. He tries-out different dance inserts on separate parts of Schubert’s Unfinished Symphony, sometimes with meditative grace, at other times the stage is filled with his sudden start-ups and falls. There are moments when combinations of dancing and music, interchanging of ecstasy and silence are intoxicating, yet very brief. At the same time he tries to transcend his role from a dancer to a gymnast, a wizard and, using acrobatic tricks, to exalt it and place it into the sphere of magic. During the final part of the performance he dances to an explosion of “hard rock”, which changes his movements into something much more aggressive and destructive. As if a lively dancer-magician turned into somebody militant.

Judith Mackell, The Independent

bio

Iztok Kovač is a choreographer and founder of En–Knap. Following the international success of his solo How I Caught a Falcon (1991), he became one of the key figures in the development of Slovenian contemporary dance. He founded En–Knap Group, Slovenia's first permanent contemporary dance ensemble, and serves as artistic director of both En–Knap and the Španski borci Cultural Centre. His works have toured internationally for more than three decades. Additionally, his artistic practice includes six dance films, international pedagogical work, guest choreography and the direction of major national events in Slovenia. During the Covid period, he initiated Stage360, developing dance works in virtual reality.

credits

Choreographed and performed by Iztok Kovač

Music Franz Schubert, Rosvita Jež 

Light design Miran Šušteršič, Guy Peeters

Photography Antonio Živkovič

Production Self-produced

With support: Ministry of Culture of the Republic of Slovenia, Municipality of Ljubljana - Department for Culture