DSC9120

En–Knap Group

Bence Kiricza

Bence Kiricza (2002, Budapest) is a contemporary dancer and emerging choreographer. He describes himself as a “sensitive and crazy human”, considering these qualities essential to who he is and how he approaches dance. He translates them into his movement language, seeing dance as a constant exploration of the unknown and an expansion of his physical and emotional boundaries. This process awakens further curiosity, inspiring him to dig deeper and bringing him great joy. Through this exploration, he continues to develop the qualities he considers his strengths as a dancer: dynamics, speed, softness, fluidity, groove and musicality. His artistic interests lie primarily in collaboration, physicality, spirituality and risk-taking, as well as in exploring and revealing the different possibilities of movement through a wide range of qualities.

His dance journey began in 2013 with hip-hop, which laid the foundation for his connection to movement and dance. In 2025, he graduated from the Hungarian Dance University with a bachelor's degree in Modern and Contemporary Dance. His experience spans both repertory and creative processes, supported by international training and performance experience. During his university years (2022–2025), he gained experience in various professional environments, including an internship with Company Fren_Ák, short-term creative collaborations with Máté Mészáros and Endre Schumicky, and an internship at PerformAct in Portugal. During this period, he also created the solo choreography Crazy Little Things (2024).

In his final year, he presented two works as part of his graduation performances: Behind Every Decision (2025) by Yaniv Avraham, an original creation, and Mirror (2020) by Eva Duda Dance Company, a repertory piece. Following graduation, he was accepted into the international PerformAct training programme in Portugal, where he completed his studies in 2026. There, he worked with artists including Rob Hayden, Tijen Lawton, Máté Mészáros, Bénédicte Mottart, Cruz Isael Mata, Chloé Bellvaire, Cola Ho, Julio Iglesias, José Agudo and Celine Werkhoven. His performance credits include Chimera (2026) by Rob Hayden, Um Mar de Corujas Amadas (2026) by João Cardoso and 818, co-created with Junis Becherer.

Alongside his career as a performer, Bence has also developed his choreographic practice. In 2024, he made his choreographic debut with his first group creation, Dilihouse, presented as part of a collaborative evening between the Moholy-Nagy University of Art and Design and the Hungarian Dance University at Trafó House of Contemporary Arts. He subsequently presented his second group choreography, Nemesis (2025), at the National Dance Theatre in Budapest. In 2025, while in Portugal, he worked on a personal solo piece, Love, Anya – Apa, followed by another choreographic work, Wild Winds (2026).

Why dance – for yourself? Personal reasons.

For me, dance is a constant exploration of the unknown. I’ve combined this exploration  with joy and curiosity, that makes me to dig deeper and deeper. When I dance, I like being crazy and sensitive at the same time, maybe it’s reflecting my true self…..and this feeling becomes especially strong when the audience is there. I’m interested in searching the aspects of dance through different movement languages and to adapt it into my body.

Why dance at all? General reasons.

I think, everybody can dance and everybody must dance. First of all, it’s important to discover - feel - understand our own body, second of all, it’s one of the best way to express our feelings, thoughts. Through movement, we can show how unique and special are we.

Did you find dance or did dance find you? 

I would say the very first moment was a mutual touch, because I was moving toward it and it was moving toward me, until we eventually met at a single point. I’m grateful to my parents, who set me on the path toward dance.

If you weren’t dancing, what would you be doing?

I can’t imagine my life without moving. If I had to do something else, I’d love to be a DJ and make people dance through music, so they could enjoy the joy of moving.

Dancing by yourself or dancing together?

Dancing by myself and dancing together.

Dancing on your own or dancing in public?

Dancing in public.

A dance move you love?

Macaco and long slides.

A dance piece you would watch on repeat?

Marco da Silva Ferreira - Bisonte.

A dance track you would listen to on repeat?

Depends on my mood: 
Justice - Neverender 😚 
KAYTRANADA - Intimidated 🫠 
Jungle - You ain’t no celebrity 😎 
Nina Kraviz - Taxi Talk 🤩 
Brutalismus 3000 - Romantika🤘🏼

A dance movie you would watch on repeat?

Honey (2003).

Why En–Knap?

En-Knap is an incredibly safe and versatile place to extend myself and my limits as a dancer. I’m really happy to be here and looking for this journey.

Did you find En–Knap or did En–Knap find you?

A bit both In live, it was a bit like a meeting: started with a handshake, ended with a hug.

If you were not in En–Knap, what would you do? 

I would keep working on myself a lot to reach my goal and be a company member.