Iztok Kovač is a choreographer and founder of En–Knap. Following the international success of his solo How I Caught a Falcon (1991), he became one of the key figures in the development of Slovenian contemporary dance. He founded En–Knap Group, Slovenia's first permanent contemporary dance ensemble, and serves as artistic director of both En–Knap and the Španski borci Cultural Centre. His works have toured internationally for more than three decades. Additionally, his artistic practice includes six dance films, international pedagogical work, guest choreography and the direction of major national events in Slovenia. During the Covid period, he initiated Stage360, developing dance works in virtual reality.
Triplet is a hybrid performance format that combines a live dance performance, a moderated conversation with the artists, and an immersive VR360 experience. Audiences encounter the work from multiple perspectives: first in the theatre, then through dialogue with its creators, and finally from the centre of the stage via a virtual reality headset. Filmed in 360°, the VR experience allows each viewer to choose their own point of view and navigate the choreography from within, becoming the director of their own experience. Created during the closure of theatres and accompanied by the live music of Tomaž Grom, Superfluous reflects on uncertainty, isolation, and the role of the individual in a rapidly changing world. Together, the performance, conversation, and VR experience create a layered encounter that extends beyond the conventional theatre format.