Iztok Kovač

Solitaire

#earlier en–knap works#co-productions

2006

Solitaire explores loneliness and the limits of individual understanding in contemporary society. The performance draws inspiration from an ancient Indian parable about five blind men encountering an elephant. Each touches a different part of the animal—a leg, a trunk, a tail, an ear—and each arrives at a different conclusion about what an elephant is. None, however, is able to perceive the whole.

Taking this story as its point of departure, Solitaire examines how our experiences, beliefs and perspectives shape the ways we understand the world and one another. The performance reflects on the difficulty of seeing beyond our own position, and on the forms of isolation that emerge when individual realities fail to connect. Between proximity and distance, certainty and uncertainty, it asks whether a shared understanding is ever truly possible.

How do isolated perspectives become a shared reality?

JX7 C3526
JX7 C3940
JX7 C1146a
JX7 C3370
JX7 C3587 2
JX7 C3652a
JX7 C3756
JX7 C3780 3
JX7 C3884

The performance is questioning the concept of truth as a fundamental division between the way things really are and the way they seem to be to an individual`s own perception. Today, reality is not something that can be reproduced but something that is always already reproduced. Reality itself almost stops to be real, it transforms itself in our own phantasm, or simulacrum.... The experience of the contemporary audience is presented as a universal fall into representation, which simultaneously confirms and undermines the perceptive differences between a being and an illusion.

Saša Božić

bio

Iztok Kovač is a choreographer and founder of En–Knap. Following the international success of his solo How I Caught a Falcon (1991), he became one of the key figures in the development of Slovenian contemporary dance. He founded En–Knap Group, Slovenia's first permanent contemporary dance ensemble, and serves as artistic director of both En–Knap and the Španski borci Cultural Centre. His works have toured internationally for more than three decades. Additionally, his artistic practice includes six dance films, international pedagogical work, guest choreography and the direction of major national events in Slovenia. During the Covid period, he initiated Stage360, developing dance works in virtual reality.

credits

Concept in choreography Iztok Kovač

Created and performed by Sara Barbieri, Darija Doždor, Aleš Hadalin, Gali Kaner, Iztok Kovač, Carmen Larazz, Janina Rajakangas, Ognjen Vučinić

Singer Aleš Hadalin 

Live sampling Gali Kaner 

Set design Goran Petercol 

Composer Damir Šimunović 

Light design Goran Petercol, Zoran Grabarac 

Costume design Emina Tataragić 

Dramaturgy Saša Božić 

Visual theory Uršula Berlot 

Musicians Krunoslav Levačić, Joži Šalej 

Used music Duke Ellington, Jimmy Rushing, folk songs 

Technical assistants Zoran Grabarac, Saša Bogojević

Photography Jasenko Rasol 

Executive producers Damir Domitrović Kos, Mirna Čubranić 

Production assistants Ksenija Gorjak, Urša Comino

Production En–Knap, Zagrebački Plesni Ansambl 

Coproduction Cankarjev dom, ZeKaeM

With support: Ministry of Culture of the Republic of Slovenia, Municipality of Ljubljana - Department for Culture