En–Knap & Emese Cuhorka, Csaba Molnár

Masterwork for Six Dancers

55 min

#available for touring

2023

Unfolding through a series of vignettes – borrowing inspiration from the philosophy of Bauhaus and the Triadic Ballet – Masterwork for Six Dancers (2023) explores the ways in which the body sheds cultural symbols and societal meanings projected upon it over time. By using objects as costumes that impede movement and give it a mechanical tinge, the body reshapes its autonomy in a flurry of functional obstacles. Its functions slip between the concrete and the abstract into choreography. Each and every body is a masterpiece in its own right, emerging from the entanglement of the self and the environment. By modifying the body, by “objectifying” it and extending it into space and surroundings, by submitting and submerging the body, a paradoxical freedom and autonomy emerge – that of art and artifice.

Life imitates art. Object imitates dance.

Bodies without organs. Apologies, Deleuze. The image conjures up anatomy, but this is about autonomy. Imagine the body, its parts and props, their movements, breaking down and breaking away, performing functions beyond their common functionality. The functions answer only to themselves. The body, its parts and props, their movements become objects (of dance), objects of becoming, and use objects, props to become objects (of dance), objects of becoming. The body, its parts and props, their movements take on a life of their own, become a world in and of themselves. This “objectification” is no alienation, it is agency, spooky action at a distance. Freedom of potential, freedom from limit. An endless play, a play as an end. A sensibility, more than a sense. A surplus. This “objectification” is no imitation, zero sum game, it is autonomy. If anything, it is reverse imitation; life is art, object is dance. Did someone say “camp”? “Cray–cray”.

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Shifting postcards from the shared unconscious, petrified states of humanity, trance subdued into rhythm, dispassionate sequencing. Painkillers ground into dance, the elevated, dual loneliness of the incomparable. The continuous rush of restlessness, enslaving the body in its ceremonial course.

Emese Cuhorka & Csaba Molnár

press

A question arises about the meaning of the “banalization” and “profanation” of conventions in the context of contemporary postmodern society, in which the staging associated with the Triadic Ballet and other forms of the avant-garde have themselves become conventions. The spectator does not watch individual bodies, but figures (gestalts), which are formed in the gradation of an ensemble of bodies and their shapes, and mutual displacements in space (canon) or time (rhythm). 

Jaka Bombač, Neodvisni

bio

Dancer, teacher and choreographer, Emese Cuhorka graduated from the Budapest Contemporary Dance Academy. She has worked with Adrienn Hód since 2007 and has been a member of Hodworks since 2009. Together with Csaba Molnár, she develops artistic recontextualisations of subcultures. She is interested in experimenting with forms and performance formats. As a performer and co-creator, she has participated in six works which have received the Rudolf Lábán Award. The piece Sea Lavender was awarded the Special Prize by the Hungarian Theatre Critics. The documentary about the rehearsals of this piece, titled The Euphoria of Being, won the Main Prize at the Locarno Film Festival and the Human Rights Prize at the Sarajevo Film Festival.

Csaba Molnár was born in Lučenec (Slovakia) in 1986. He started his studies at the Budapest Contemporary Dance Accademy and continued in P.A.R.T.S. (Performing Arts Research and Training Studios, directed by Anna Teresa De Keersmaeker, Bruxelles) graduating in 2008. He has worked as a performer with Adrienn Hód, Eszter Gál, Wally Cardona, and with the Florence-based company Virgilio Sieni Danza. He is a funding member of the BLOOM! artistic collective, and he develops his interest as a choreographer independently as well as with the collective. In addition to his own works, he currently works for the Hungarian dance company Hodworks and teaches regularly at the Budapest Contemporary Dance Academy.

credits

Created by Emese Cuhorka & Csaba Molnár

Dancers Matija Franješ, Mattia Cason, Tina Habun, Fiona Macbride, Carolina Alessandra Valentini, Nika Zidar

Original cast Núria Capella, Mattia Cason, Tina Habun, Davide Lafabiana, Tamás Tuza, Carolina Alessandra Valentini

Music Ábris Gryllus

Light design Leon Curk (based on the original design of Kata Dézsi)

Costumes Emese Cuhorka, Csaba Molnár, Katarina Markov (Atelje d.o.o.)

Photography and video Sara Rman, Sašo Podgoršek

 

Production En–Knap Productions 

 

En–Knap Productions 

Founder and artistic director Iztok Kovač

Managing director Marjeta Lavrič

Executive director and head of finance Julija Travančić

Rehearsal director Ana Štefanec Knez

Executive producer Karmen Keržar

Postproduction producer Nataša Ramovš

Communications strategist and editor Dražen Dragojević

Head of communications and creative content Valerija Intihar

Designer Marko Damiš

Programme organiser and coordinator Katja Gabrijelčič 

Technical coordinator Jaka Šimenc

Technical team Omar Ismail, Leon Curk, Hotimir Knific, Gal Škrjanec Skaberne, Špela Škulj

En–Knap Productions and Španski Borci Cultural Centre (En–Knap Productions as administrator) are supported by: City of Ljubljana – Department of Culture, and Ministry of Culture of the Republic of Slovenia