Enya Belak

Blue Ink

25 min

#vr360

2021

Blue Ink questions the borders and absurdities of bureaucracy that shape and regulate human lives. Emerging from a sense of personal and political imbalance, the work inhabits a space of uncertainty, vulnerability, fear, isolation, trust and power. Through movement and performance, Blue Ink explores borders in their many forms—spatial, physical, administrative and deeply personal. It reflects on the bureaucratic systems that govern contemporary existence, revealing how documents, regulations and invisible structures can shape identity, belonging and the experience of moving through the world. At its core, the work asks what remains of the individual when human lives become entangled in procedures, classifications and mechanisms of control.

press

The choreographer Enya Belak contemporarily outlined the dance language with her Blue Ink, and her choreography was maturely as well as thoughtfully embedded in the theatre space which the co-creators and dancers, Jerca Rožnik Novak and Gábor Ivanov, upgraded with their own movement.

Small suggestive movements, short shunts, cut off dance lines, fretting deformation of the hands, even distorted positions are flowing and repeating itself in sequences as if they were followed by a caricature gallery that swiftly flutters on a moving horizontal tape, an elevator of countless images and contacts, circling and changing direction. And although there are only two dancers on the stage, they reflect a multitude of significance.

Daliborka Podboj, Parada plesa

Through some interesting performing ideas, the choreographer Enya Belak and co-creators Jerca Rožnik Novak and Gábor Ivanov in the show Blue Ink present the processes which we usually associate with bureaucracy. One of the processes, the scanning process, was shown through an excellent scene when Gábor on Jerca’s shoulders slowly moves along the wall.

Maša Radi, Koridor – križišča umetnosti

bio

Enya Belak is a multidisciplinary artist whose work spans film directing, choreography, and beyond. With a background in contemporary dance, her research focuses on the body as the primary subject. Since her MA in Directing Fiction Films at Goldsmiths University London, she has contributed to many film, music video and dance projects, as well as co-developing an innovative method for recording dance in virtual reality. Her directing work includes the acclaimed documentary ‘Aerowaves at 25’. As a choreographer, Enya recently presented the live dance duet ‘BLUFF’; and the multi-genre project ‘Blue Ink’, which encompasses dance, VR 360° film, and hybrid performance.

credits

Blue Ink

Concept and choreography and 360 Direction Enya Belak

Performers Jerca Rožnik Novak, Gábor Ivanov

Dramaturgy Eva Posedel

360 Camera and editing Andrej Lamut

Graphics and effects Omar Ismail

Sound recording Studio 100

Sound composition Lou Barnell

Light design Janko Oven

Costume design Andrej Vrhovnik

Special Thanks JSKD; Municipality of Ilirska Bistrica; Ivan Cankar Cultural Centre Vrhnika

 

Production En–Knap Productions / Stage360, En–Knap Productions Trbovlje

Co-production Flota Institute, Dance Theatre Ljubljana

 

Stage360

Founder and artistic director Iztok Kovač

Technical coordinator Omar Ismail

Sound post-production Studio 100

VR technology consultant Marko Cafnik, Multiversum

Executive producer Karmen Keržar

Managing director Marjeta Lavrič

Head of finance Julija Travančić

Head of public relations Nina Smerkol

Marketing and project coordinator Goran Pakozdi

Event organisation and coordination Katja Gabrijelčič

Technical team Leon Curk, Omar Ismail, Hotimir Knific, Špela Škulj, Gal Škrjanec Skaberne

This project is a part of a partnership network Platform Center for Creativity co-financed by the European Union from the European Regional Development Fund and by the Republic of Slovenia.

Supported by: Ministry of Culture of the Republic of Slovenia; Municipality of Ljubljana