Anamaria Klajnšček

Vulneri

60 min

#co-produced projects

2026

To live in society, in the world, is to share space with other beings. Freedom is, in that sense, not an endless horizon of personal whim but rather a sphere, limited with and by the other who likewise inhabits that very limited space. We are observing population growth, which calls for questions such as: Where exactly does the freedom (space) of one person meet the freedom (space) of another? How wide is the space that one can inhabit, occupy, in which one can deliberate, think, and exist? The human tendency to spread across the environment – to occupy, colonise and push the limits of one’s freedom – is often disguised as a survival instinct. Behind this drive is often the illusion that freedom exists only where we have absolute control. Vulneri is thus not merely an observation of physical oversaturation but also a symptom of an ideological paradigm, i.e. the assumption that the surplus of others necessarily means lack of freedom.

A Klajnscek Vulneri c Matija Lukic PRESS12
A Klajnscek Vulneri c Matija Lukic PRESS31
A Klajnscek Vulneri c Matija Lukic PRESS5
A Klajnscek Vulneri c Matija Lukic PRESS2
A Klajnscek Vulneri c Matija Lukic PRESS6
A Klajnscek Vulneri c Matija Lukic PRESS10
A Klajnscek Vulneri c Matija Lukic PRESS36
Zupanov PEKINPAH A Klajnscek VULNERI1
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Anamaria Klajnšček addresses these topics on a physical and material level – by placing three dancers within a single square meter, where they cohabitate, coexist, and share the space while, precisely within these limits, seeking freedom. Klajnšček brings into the space a series of movement, dance, and somatic techniques that she has been exploring for the past seven years. We are looking at bodies in constant movement, engaged in active tactile listening and role-switching. The performance reveals the fragile architecture of human codependence.

The dancers’ cohabitation in an extremely small space strips the concept of freedom of its abstraction. The limits between the freedom of one person and that of others are made perfectly clear. While the terror and imperialistic expropriation of space and freedom are, as history (and, alas, the current situation) shows, always a (terrible) option, the dancers in Vulneri hint at a viable alternative: sensibility and solidarity. But these call for a full understanding of the concept of cohabitation. They demand subtlety of movement (i.e., of thinking), plasticity of bodies (i.e., of thinking), and collaboration among bodies (i.e., among people). For if two out of three people on a single square meter of surface fail, if the power relations destroy them, the third person simply becomes alone. Does being the only one still include the concept of freedom?

As the global population climbs, we are forced to confront the friction between individual liberties: where, precisely, does one person’s sphere of autonomy end and another’s begin? We must ask how much territory an individual truly requires to establish themselves, to exercise agency, and to find the mental stillness necessary for thought and creation.

Anamaria Klajnšček

bio

Anamaria Klajnšček (*1996) is a dancer and choreographer working between Slovenia and Spain. After graduating from the Contemporary Dance Department of the Ljubljana Secondary School for Performing Arts, she continued her studies at the Academy of Theatre and Dance (AHK) in Amsterdam. In the 2017/18 season, she joined TanzMainz in Germany, performing in works by Sharon Eyal, Guy Nader & Maria Campos, and Guy Weisman & Roni Haver. Since 2018, she has worked as an independent artist, collaborating with internationally recognised choreographers including Guy Nader & Maria Campos, Roser López Espinosa, Pere Faura and Žigan Krajnčan. Alongside her performance career, she develops her own choreographic work, including the solo ONA (2022), the music and dance performance Tok misli: Preplet (2023), and the collaborative duet COSSOC, created with Magí Serra and presented at international festivals across Europe and beyond. She also works internationally as a teacher of contemporary dance, contact improvisation and partnering.

credits

Idea and choreography Anamaria Klajnšček

Dance Anamaria Klajnšček, Beno Novak, Kristýna Peldová

Music and live performance Tine Grgurevič - Bowrain

Costume design Hristijan Nashulovski & Anamaria Klajnšček

Light design Aljaž Zaletel

Video Yari Stepanov

Production coordination Polett Kasza

Producer Žiga Predan

Special thanks to Matej Kejžar, Petra Veber, Nina Fajdiga, Leja Jurišič, Enya Belak, Matija Franješ, Gabriela Lotaif, Plesni teater Ljubljana (PTL) in Festival Ukrep

 

Produced by Pekinpah

Co-produced by En–Knap Productions

Supported by: Zavod Move in Dance Izola

Financial support by the Ministry of Culture Republic of Slovenia and the Department of Culture of the Municipality of Ljubljana.