En–Knap, Anton Podbevšek Theatre & Iztok Kovač

Wind, Sand and Stars

#en–knap group's repertoire#co-productions

2015

Antoine de Saint-Exupéry is more than just the celebrated author of The Little Prince. He is also the author of two extraordinary autobiographical novels. In an exceptional Slovenian translation by Edvard Kocbek, Night Flight (Vol de nuit, 1931) and Wind, Sand and Stars (Terre des hommes, 1939) were published together under the title Wind, Sand and Stars in 1966. Directed by Iztok Kovač and adapted by Stojan Pelko more than half a century after Kocbek’s translation, the performance Wind, Sand and Stars stars Pavle Ravnohrib.

Today, one cannot fly over North Africa without seeing devastated countries, smelling the oil that has been drained from the land, or witnessing the suffering of those forced to flee. Nor is it possible to look from a European perspective without acknowledging Europe’s historical role on the continent. Consequently, Wind, Sand and Stars is not a romantic saga of pilots setting records with postal deliveries and expanding horizons. Rather, it is a dramatic performance about nomads and victims, about water and oil, about the premonition of fascism and the longing for love – and, ultimately, very much about the present.

Veter, pesek in zvezde 
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Veter, pesek in zvezde 
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Veter, pesek in zvezde 
APT 
EKG
Veter, pesek in zvezde 
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Veter, pesek in zvezde 
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Veter, pesek in zvezde 
APT 
EKG
Veter, pesek in zvezde 
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Veter, pesek in zvezde 
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Veter, pesek in zvezde 
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“Tell me, comrades, when were we happiest?” asks the pilot de Saint-Exupéry, calling many of his companions to bear witness: instructors, copilots, engineers, Bedouins and fellow passengers aboard the train Europe. The experience of reaching the limits of the zenith in the sky and the nadir of the desert leads the author into the deepest reflections on memory and dreams, but also on a social order that buys freedom and sells slaves. Every glimpse of the past becomes a sign of the time from which we look back – and so does our view of de Saint-Exupéry today. When he finds black fragments of meteorites among the white dunes of the desert, we measure time with him in universal light-years. When he carefully observes foxes nibbling snails from desert stalks, we begin to understand sustainable development through his eyes. And when we find ourselves stuck on a train with Polish workers, deported home after the carnage of the war, we think of refugees on Lampedusa and Lesbos.

An original performance by Iztok Kovač, based on Kocbek’s translations of de Saint-Exupéry’s words, brings together narrative, fiction, dance, music, film, animation and silent scenes. The co-production of Anton Podbevšek Theatre and En–Knap reveals the rare joy of a pioneer’s journey into the unknown. It reminds us that, to feel the warmth of a fellow human being’s shoulder, we do not necessarily need the bloody surgery of war. Sometimes, it is enough simply to look together in the same direction.

bio

Iztok Kovač is a choreographer and founder of En–Knap. Following the international success of his solo How I Caught a Falcon (1991), he became one of the key figures in the development of Slovenian contemporary dance. He founded En–Knap Group, Slovenia's first permanent contemporary dance ensemble, and serves as artistic director of both En–Knap and the Španski borci Cultural Centre. His works have toured internationally for more than three decades. Additionally, his artistic practice includes six dance films, international pedagogical work, guest choreography and the direction of major national events in Slovenia. During the Covid period, he initiated Stage360, developing dance works in virtual reality.

credits

Adapted by Stojan Pelko 

Directed and choreographed by Iztok Kovač

Created and performed by Pavle Ravnohrib, Lada Petrovski Ternovšek, Anja Rupnik, Veronika Valdés

Visuals Komposter 

Set design Tobias Putrih 

Music, sound design Vanja Novak 

Light design Jaka Šimenc, Luka Curk 

Costume design Iztok Kovač, Katarina Škaper 

Commentator Jana Zupančič 

Rock ballad Ksenija Jus, Vanja Novak 

Sound spacing Julij Zornik 

Technical manager Luka Curk 

Technical manager (for Anton Podbevšek Theatre) Simon Žižek

Head of production (for Anton Podbevšek Theatre) Andrej Berger 

Assistant to the head of production (for Anton Podbevšek Theatre) Mitja Sočič 

 

Produced by Anton Podbevšek Theatre

Coproduced by En–Knap Productions

 

En–Knap Productions

Founder and artistic director Iztok Kovač

Executive producer Meta Lavrič 

Rehearsal director Tanja Skok 

Head of public relations Tili Kojić 

Design rokmar+aka 

Technicians Gal Škrjanec Skaberne, Omar Ismail, Luka Curk, Uroš Bon, Srečko Malovič, Gašper Brezovar, Matej Korbar 

The programme of En–Knap Productions is financially supported by: City of Ljubljana – Department of Culture and Ministry of Culture of the Republic of Slovenia

Anton Podbevšek Theatre