En–Knap & Tomi Janežič, Mala Kline

Romeo and Public

#en–knap group's repertoire#site-specific

2008

A collaboration between Mala Kline, a distinctive voice of the younger generation of European dance makers, and Tomi Janežič, a Slovenian theatre director renowned for his interpretations of the methods of Stanislavski and Grotowski, Romeo and Public explores theatre and its essential relationship between performer and spectator. Created as a site-specific project for a limited audience, the work offers an individual journey through a labyrinth of non-interactive and interactive scenes. Romeo and Public is a performance about theatre itself: about its beginnings and endings, about the performer and the spectator, and about their encounter. It explores both the possibility and the impossibility of this meeting—the very space in which theatre comes into being.

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bio

Tomi Janežič is a Slovenian theatre director, pedagogue and researcher known for his innovative approach to theatre-making, combining traditional and contemporary acting techniques. His work is characterised by an exploration of acting, psychodramatic methods and the relationship between performers and audiences, with theatre understood as a living process and a space for intense communication. Since his first professional production, Equus, in 1996, he has directed a series of acclaimed productions, including The Seagull, King Lear and Seven Questions about Happiness, for which he received the Prešeren Fund Award. His work has been presented at major international festivals, including Kunstenfestivaldesarts, Bitef and Wiener Festwochen. As a pedagogue and professor at the Academy of Theatre, Radio, Film and Television (AGRFT), he passes on his artistic and research-based methodology to new generations of theatre makers.

Mala Kline is a performer, choreographer and writer. Her artistic and theoretical work is embedded in the practice of dreaming. Her extensive body of work is based on Saphire® dream techniques, which she uses to open up original spaces of feeling and to generate images characterised by semantic fluidity, contradictoriness and atmospheric intensity. With her original works, she creates unique worlds woven through the language of our dreaming. She has received a number of major Slovenian awards for her choreographic works, including the Golden Bird (2005), Povodni mož (2005, 2013), the Gibanica Award (2013, 2023), and the Ksenija Hribar Awards for Choreography (2013) and for Theory (2021). She is the author of two books, Capfico: Writings from the Belly of the Whale published by Capfico/Madrid and Theatres of Potentiality: between Ethics and Politics published by Maska/Ljubljana. In 2018, she founded ELIAS 2069 - a school, artist residency, organic farm and outdoor spa located in an unspoilt natural resort deep in the wilderness of southern Slovenia, dedicated to education and creation through the use of dreaming techniques.

credits

Idea and choreography Mala Kline, Tomi Janežič

Created by Gyula Cserepes, Luke Dunne, Katja Legin, Lada Petrovski, Ana Štefanec, Ilkem Ulugün

Guests Lucija Barišić, Matjaž Janković, Anna Nowicka, Sara Perrin Sarić, Matic Starina, Mladen Vujčić

Sound design Tomaž Grom

Set design Samo

Light design Jaka Šimenc

Costume design Maja Čop

Video Hanna Vodeb

Technical support Niko Novak, Martin Podrzavnik, Miha Zupan

Graphic design Novi kolektivizem

Photography Miha Fras

Online communication Aka, Peter Ambrož

Media sponsor Radio študent

 

Production En–Knap Productions

Partners Beton Hala Teatar, Studio for research of the art of acting

 

Thanks to Vika Potočnik, Pionirski dom, Art center, Tovarna vizij, Rok Vidmar, Ivana Vujić and Miloš Lazin. The performance space was kindly provided by Karmen Dobnik and Darko Bulat

With support: Ministry of Culture of the Republic of Slovenia, Municipality of Ljubljana - Department for Culture