Andreja Rauch Podrzavnik

Passage Deluxe

#earlier en–knap works#site-specific

2006

I’m leaving the station, and I’m returning to the station. Here we meet again and say goodbye. When I think about how many encounters and partings take place in this space, it seems as though a crowd of emotions gathers here, moving like a slow, crawling caterpillar. Perhaps it follows the schedules of arrivals and departures, accumulating traces of journeys that happened just moments ago or long before now. Just as posters for past concerts remain on the walls until they are removed to make room for new ones, this emotionally charged space could also be cleared of its layers — from small notes to large advertisements. Each of us is constantly cleaning and reorganising our own memory. Memory is like a home: a place I inhabit, a place I can leave and return to. Between departure and return, time passes, and the journey changes my perception and understanding of home.

Memory is like a home: a place I inhabit, a place I can leave and return to.

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While working on this project, I noticed that some people never seem to travel anywhere. Perhaps they have no home and nowhere to go, yet at the same time they are always on their way somewhere. I often wonder about the apparent randomness of the encounters that happen to us, because it sometimes becomes clear that hidden behind them are our own schedules and timetables of perception. 

The encounter I called PD is hardly a coincidence. Although situated in an everyday space marked by a constant flow of people, PD creates a poetic exchange with everyone who accepts the invitation with curiosity and openness. It is a place where culture and art meet, where people connect, and where encounters leave behind a sense of contentment and a smile. At the same time, the project documents the present moment. In the future, such a document may serve as a testimony to the people of a particular place and city. 

How beautiful — and at the same time difficult to accept — is the elusive and unpredictable nature of chance, which brings us to stations by unexpected paths. Encounters at stations and along journeys make my own path more bearable, even pleasurable. Perhaps that is why these moments remain in my memory longer than the journey itself

Andreja Rauch Podrzavnik

Slovenian Railways, Franjo Bizjak, Teater Narobov, Nada Žgank, Vlado Škafar, Martin Podrzavnik, Bara Kolenc, Nina Milin, Katra Kodela, Tomaž Praunseis, Dr Bruno Ravnikar, Lili Kašnik, Igor Lavrenčič, Franci Lipovšek, Sanja Bračun, Olga Žvanut, Miha Zupan.

Slovenian Railways Brass Band: Albert Pavlič (President), Franci Lipovšek (Conductor); Igor Štern, Andreja Istenič, Urška Košir, Sabina Glavač, Dušanka Istenič, Urška Volarič, Katja Lužar, Adrijana Plevel, Ines Martinšek (flutes); Ernest Jazbec (oboe); Gregor Zorec, Jernej Lipec, Silvija Volarič, Gašper Glas, Miran Tržan, Janez Blatnik, Lidija Dobovšek, Maja Glavač, Matic Kreča, Gregor Povše (clarinets); Bojan Sumrak, Aleš Meško, David Šeško, Polona Škegro, Branko Nadu, Gregor Zalokar, Rok Glavan (saxophones); Sergej Sumrak, Rok Pelc, Sandi Pavlin, Jakob Istenič, Savo Štern (flugelhorns); Slavko Čot, Kristjan Erman, Boštjan Počivalšek, Jure Istenič (baritones); Boštjan Lipovšek, Katarina Lipovšek, Lovro Lipovšek, Lucijan Lipovšek, Lenart Istenič, Gašper Kmetič (French horns); Rok Turnšek, Boštjan Cerar, Boštjan Žveglič, Tadej Dragar, Jernej Škegro, Saša Martinčič (trumpets); Borut Blaj, Luka Suzič, David Kajič (trombones); Danijel Mikulčič, Albin Ocepek, Drago Počivalšek (tubas); Rudolf Glavač, Rudi Glavač, Zvone Izlakar, Zlatko Škrlec, Janez Krivec, Jure Škorja (percussion).

Tine Rožanc Folklore Group – Veterans: Boža Bauer, Alenka Fortuna, Urša Gazdič, Marija Jutraž, Božena Orlčnik, Meta Podobnikar, Meta Pust, Živa Simončič, Mojca Slana, Milena Sterle, Stane Fortuna, Slavko Gnidovec, Franci Hribovšek, Tone Jurečič, Jože Jutraž, Janez Knific, Jože Levka, Filip Pakiž, Marjan Podobnikar, Jože Troha (dancers); Janez Dolenc, Dare Grum, Marjan Janša, Jože Kotnik, Dušan Vodišek, Milan Zupanc (musicians).

Mixed Choir Cantate Nobiscum: Amedea Rodman (Choir Director and Rehearsal Pianist); Ivica Lavrenčič, Jožica Močivnik, Amedea Rodman, Sabina Šterbenc, Marjana Hudina, Marjeta Bajt, Marjeta Medič, Anita Kutnar, Ida Bokan (sopranos); Lili Kašnik, Fani Hunyadi, Jožica Rozman, Nataša Bizilj, Nataša Petrič, Veronika Luskovec, Sonja Popovič, Lidija Polšak, Mojca Špec (altos); Katja Benedik-Kreitmayer, Igor Javoršek, Tomaž Marolt, Ivan Kramžar, Dušan Brezar (tenors); Stipe Miš, Robi Medič, Franci Podgrajšek, Lojze Duša, Zvone Skalar, Jože Snoj, Jože Vogrinčič (basses).

bio

Andreja Rauch Podrzavnik is a Slovenian choreographer, dancer, educator and video artist. One of the key figures of contemporary dance in Slovenia, she creates performance, research and educational projects that explore movement as both a mode of behaviour and a spatial-visual practice. She holds a Master of Arts degree from the London Contemporary Dance School (1999) and has collaborated with numerous artists across dance, theatre, music and visual arts. In 2009, she co-founded the collective Federacija, whose interdisciplinary projects engage diverse communities and social groups. Her work has received numerous awards, including the Dance Europe Critics' Choice Award (2003), the Povodni mož Award (2004), the Gibanica Jury Award (2007), the Ksenija Hribar Award (2015, 2021) and the Župančič Award (2021).

credits

Concept and directed by Andreja Rauch

Performed and created by Maja Dekleva, Tomaž Lapajne, Andreja Rauch, Sebastiano Tramontana, Slovenian Railways Wind Orchestra, Tina Rožanc Folklore Group (veterans), the Cantate nobiscum mixed choir

Light design Jaka Šimenc

Graphic design Peter Rauch 

Executive producer Goro Osojnik 

Public relations Anka Pirš

 

Production En–Knap

In collaboration Slovenian Railways

With support: Ministry of Culture of the Republic of Slovenia, Municipality of Ljubljana - Department for Culture