En–Knap & Iztok Kovač

Milk Voices

30 min

#en–knap group's repertoire#co-productions#site-specific

2020

Milk Voices builds upon the story of Aleksandrinke, Slovenian women who in the middle of the 20th century emigrated to seek work as wet nurses for the children of Alexandria, Egypt. It is a story of courage found in abandoning tradition, family, cultural roots and personal ties alike. And in being about overcoming limits, its meaning transcends the individual experience. These women, who sang lullabies to children, instilled in them memories of a motherland which they decades later »returned« to – despite never having seen it before.

Nearly lost to the oblivion of time, this story serves us as a departure point for questioning our identities, our homelands, and our sense of patriotism. Who are we as individuals, as communities, and how do the ideas of identity and allegiance form? Is patriotism inevitably linked to birthplace, to nation and nationalism? The project scrutinizes the dominant perception of patriotism in which the collective identity is defined by division between US and THEM, with particular focus on who WE are not. The exclusionary interpretation of patriotism sees the homeland as grounded primarily in the ethnic, supposedly natural principle of “blood and land”. 

Project Milk Voices counters this with an inclusive paradigm shift, built upon mutually recognized and democratically accepted social norms, the rule of law and its pertaining symbols. Allegiance to society and homeland is thus demonstrated by respecting the positive traits and norms of civilization. This is what defines us and what we believe everyone possesses. Such an allegiance is inclusive of everyone who chooses to accept it and live by it.

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context

The project brought together En–Knap Group, singer Irena Z. Tomažin, and the women’s choir Kombinat in a collaborative performance that intertwined voice, movement and collective presence. Milk Voices was co-produced by En–Knap Productions and the Goethe-Institut and premiered as the opening production of the 2020/2021 season at Španski Borci Cultural Centre.

bio

Iztok Kovač is a choreographer and founder of En–Knap. Following the international success of his solo How I Caught a Falcon (1991), he became one of the key figures in the development of Slovenian contemporary dance. He founded En–Knap Group, Slovenia's first permanent contemporary dance ensemble, and serves as artistic director of both En–Knap and the Španski borci Cultural Centre. His works have toured internationally for more than three decades. Additionally, his artistic practice includes six dance films, international pedagogical work, guest choreography and the direction of major national events in Slovenia. During the Covid period, he initiated Stage360, developing dance works in virtual reality.

credits

Project idea, choreography Iztok Kovač

Contextualisation Aleš Črnič 

Musical composition and research Catherine Milliken 

Film direction and camera Sašo Podgoršek 

Dancers Luke Thomas Dunne, Tamás Tuza, Giorgia Belotti, Rada Kovačević, Radoslav Piovarči, Katja Kolarič) 

Musicians Irena Z. Tomažin (Ljubljana), Michael Schiefel (Rijeka, Berlin) 

In cooperation Women’s choir Kombinat 

Special thanks Osnovna šola Savsko naselje (Ljubljana), Osnovna šola Ketteja in Murna (Ljubljana), TRY THEATRE (Rijeka)

Translation Jure Škerl

Production En–Knap Productions

 

En–Knap Productions

Founder and artistic director Iztok Kovač

Managing director Marjeta Lavrič 

Head of finance Julija Travančić 

En–Knap Group rehearsal director Nohemi Barriuso

Executive producer Karmen Keržar

Head of public relations and editor Nina Smerkol

Project and marketing coordinator Goran Pakozdi 

Programme coordinator and organiser Katja Gabrijelčič 

Expert associate for finances and business management Zala Česnik 

Designer Neja Engelsberger 

Technical coordinator Jaka Šimenc 

Technical team Leon Curk, Omar Ismail, Gal Škrjanec Skaberne, Špela Škulj

The programme of En–Knap Productions, administrator of Španski Borci, is financially supported by: City of Ljubljana – Department of Culture, which also supports Španski Borci activities, and Ministry of Culture of the Republic of Slovenia