En–Knap & Iztok Kovač, Luke Thomas Dunne

Beware, Dance! 3

55 min

#earlier works

2019

How to understand, but also see oneself and the world in a different light – by way of authentic expression in movement? Following the hit documentary parable piece Beware, Dance! (2010), and the romp and stomp across the history of contemporary dance Take a Chance on Dance (2015), Beware, Dance 3 (2019) integrates, reworks and revamps its precursors into a participatory journey of discovery and pedagogy, reaching out to youth and their proclivity for audio-visual media. 

Beware, Dance 3 takes up the identity of expression in movement, the search for artistic purpose and the secrets of composition in movement through some of the pivotal moments in contemporary dance. The parable piece also takes on the private life of a dancer and the origin story of dance – ritual, music, identity, storytelling. At its core, the show – and it is a show – ushers contemporary dance for generations of audiences, emancipating dance into art through the gift of artistry, all while bridging the gap between institutional education and performing arts.

En Knap Group Pozor hud ples 3 2019 foto andrejlamut WQ 67
En Knap Group Pozor hud ples 3 2019 foto andrejlamut WQ 161b
En Knap Group Pozor hud ples 3 2019 foto andrejlamut WQ 78
En Knap Group Pozor hud ples 3 2019 foto andrejlamut WQ 52
En Knap Group Pozor hud ples 3 2019 foto andrejlamut WQ 89
En Knap Group Pozor hud ples 3 2019 foto andrejlamut WQ 51
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press

"Beware, Dance is not just a dance performance, but an excellently crafted lesson on contemporary dance. /.../ it is literally a dance didactic performance event that should, at the very least, be shown to secondary school students and their teachers - and not just as a lesson on contemporary dance, but on the creation and understanding of the performing arts in general."

— Mojca Kumerdej, Delo 

 "What is contemporary dance?" This seemingly innocent and simple question can suddenly cause a lot of confusion. The show tackles it holistically and practically, testing the question of contemporary dance in relation to the pulse of contemporary life and - perhaps most importantly - staging it through the medium of contemporary dance itself."

— Nika Leskovšek, Sigledal

bio

Iztok Kovač is a choreographer and founder of En–Knap. Following the international success of his solo How I Caught a Falcon (1991), he became one of the key figures in the development of Slovenian contemporary dance. He founded En–Knap Group, Slovenia's first permanent contemporary dance ensemble, and serves as artistic director of both En–Knap and the Španski borci Cultural Centre. His works have toured internationally for more than three decades. Additionally, his artistic practice includes six dance films, international pedagogical work, guest choreography and the direction of major national events in Slovenia. During the Covid period, he initiated Stage360, developing dance works in virtual reality.

Luke Thomas Dunne’s formal training is in ballet, which he studied for 10 years at the Knighton Fields Centre as part of Leicestershire Arts in Education before studying at Laban (BA Hons Dance Theatre). Before leaving London, Luke had worked with Mark Lorimer, Jonathan Stone, Zoi Dimitirou, Caroline Muller, Aletta Collins and Anna Williams. In 2007 he successfully auditioned to be part of the ensemble En–Knap Group. Under the artistic direction of Iztok Kovač, the group collaborated with 20 Slovene and international choreographers and directors in three years.

credits

Concept Luke Thomas Dunne, Andreja Kopač, Iztok Kovač, Juš Milčinski, Ana Štefanec Knez 

Directing   Luke Thomas Dunne, Iztok Kovač

Co-created and performed by  En–Knap Group (Luke Thomas Dunne, Tamás Tuza, Giorgia Belotti, Rada Kovačević, Radoslav Piovarči, Katja Kolarič), Juš Milčinski

The performance contains elements taken from shows and movies produced by En–Knap and authored by Iztok Kovač, Matjaž Farič, Edward Clug, Simonej Sandronij, Sebastijan Horvat, Andreja Rauch Podrzavnik, Sašo Podgoršek and music by: John Zorn, Drago Ivanuša, Igor Stravinski, Mitja Vrhovnik Smrekar, Gaetan van den Bergh, Boris Kovač, Omar Ismail

Visualisation Omar Ismail, Sašo Podgoršek 

Light design Hotimir Knific, Jaka Šimenc 

Set Design Iztok Kovač, Jaka Šimenc 

Costume design Katarina Škaper, Atelje d.o.o. 

 

Production En–Knap Productions

 

En–Knap Productions artistic director Iztok Kovač 

Managing director Marjeta Lavrič 

En–Knap Group rehearsal director Ana Knez Štefanec

Executive producer Karmen Keržar

Coomunication executive Nina Smerkol

Design Neja Engelsberger

Event coordinator and organizer Katja Gabrijelčič

Technical coordinator: Jaka Šimenc

Technical production Fabijan Purg, Omar Ismail, Leon Curk, Hotimir Knific, Gal Škrjanec Skaberne, Špela Škulj

The programme of En–Knap and the Španski Borci Cultural Centre (managed by En–Knap Productions) is financially supported by the City of Ljubljana – Department of Culture and the Ministry of Culture of the Republic of Slovenia.